As we have seen earlier, the motion from a 4/2 to a 6 chord with a descending second in the bass is very common and very useful in Baroque counterpoint.
We will now start practicing this motion as it becomes a sequence:

Analytic piano links:
by Avner Dorman
As we have seen earlier, the motion from a 4/2 to a 6 chord with a descending second in the bass is very common and very useful in Baroque counterpoint.
We will now start practicing this motion as it becomes a sequence:
Analytic piano links: