Derek RemeŇ°, Compendium of Voice-Leading Patterns from the 17th and 18th Centuries to Play, Sing, and Transpose at the Keyboard

Giorgio Sanguinetti, Diminution and Harmonic Counterpoint in Late-Eighteenth Century Naples: Vincenzo Lavigne’s Studies with Fedele Fenaroli

Vasily Byros, Prelude on a Partimento: Invention in the Compositional Pedagogy of the German States in the Time of J. S. Bach

Giorgio Sanguinetti, The Art of Partimento : History, Theory, and Practice. (requires Gettysburg College login)

The forty-eight preludes and fugues of John Sebastian Bach analysed for the use of students:

Outline analysis of each of J. S. Bach’s forty-eight fugues in the “Das wohltemperirte Clavier.”

Diminution resources –